Name the Painter - Early Renaissance

Adoration of the Magi; 1462; Italian; Early Renaissance; Galleria degli Uffizi, Florence, Italy; tempera on panel; 76 x 76 cm

Adoration of the Shepherds; 1456; Italian; Early Renaissance; The Metroploitan Museum of Art, New York, New York, U.S.A.; oil on panel; 56 x 40 cm

Christ as the Suffering Redeemer; 1495-1500; Italian; Early Renaissance; Statens Museum for Kunst, Copenhagen, Denmark; tempera on panel; 78 x 48 cm

Ecce Homo; 1500; Italian, Early Renaissance; Musée Jacquemart-André, Paris, France; distemper and gold on canvas, backed with wood; 54 x 42 cm

Ludovico Gonzaga and His Family and the Court of Mantua; 1470; Italian; Early Renaissance; Camera degli Sposi (Wedding Room), North Wall, Palazzo Ducale, Mantua, Italy" fresco; 600 x 807 cm

Madonna with Sleeping Child; 1465-1470; Italian; Early Renaissance; distemper on canvas; 43 x 32 cm

Madonna and Child with Cherubim; 1480-1490; Italian; Early Renaissance; Pinacoteca di Brera, Milan, Italy; oil on canvas; 88 x 70 cm

Madonna della Vittoria; 1495-1496; Italian; Early Renaissance; Musée du Louvre, Paris, France; tempera on canvas; 280 x 166 cm

Open Oculus in Vaulted Ceiling; 1471-1474; Italian; Early Renaissance; Camera degli Sposi (Wedding Room), Palazzo Ducale, Mantua, Italy; fresco; 270 cm diameter

St. Sebastian; 1480; Italian; Early Renaissance; Musée du Louvre, Paris, France; tempera on canvas; 255 x 140 cm

The Agony in the Garden; 1459; Italian; Early Renaissance; The National Gallery, London, England; tempera on canvas; 63 x 25 cm

The Crucifixion; 1457-1459; Italian; Early Renaissance; Musée du Louvre, Paris, France; oil on panel; 67 x 93 cm; central panel of predella of the altarpiece of San Zeno, Verona, Italy; taken by Napolean to France

The Dead Christ (Lamentation of Christ); 1480; Italian; Early Renaissance; Pinacoteca di Brera, Milan, Italy; oil on canvas; 68 x 81 cm

The Resurrection (predella panel from the San Zeno Altarpiece); 1456-1459; Italian; Early Renaissance; Musée des Beaux-Arts de Tours, France; tempera on wood; 28 x 37 cm

Madonna Salting; 1460-1469; Italian; Early Renaissance; The National Gallery, London, England; oil on panel; 43 x 34 cm

Portrait of a Man; 1475-1476; Italian; Early Rennaissance; The National Gallery of Art, London, England; oil on panel; 26 x 36 cm

St. Jerome in His Study; 1475; Italian; High Renaissance; The National Gallery, London, England; tempera on lime; 46 x 36 cm

The Virgin Annunciate; 1475; Italian; Early Renaissance; Galleria Regionale della Sicilia, Palermo, Italy; oil on panel; 45 x 34 cm

Procession of the Magi; 1459-1461; Italian; Early Renaissance; Palazzo Medici-Riccardi, Florence, Italy; fresco; size unknown

St. Ursula with Two Angels and Donor; 1455-1460; Italian; Early Renaissance; The National Gallery of Art, Washington D.C., U.S.A.; tempera on panel; 44 x 28 cm

Procession of the Middle King (south wall detail); 1459-1461; Italian; Early Renaissance; Magi Chapel of Palazzo Medici-Riccardi, Florence, Italy; fresco; size unknown

Madonna Worshipping the Child and an Angel; 1475; Italian; Early Renaissance; São Paulo Museum of Art, São Paulo, Brazil; tempera on panel; 74 x 54 cm

Portrait of a Boy; 1476-1480; Italian; Early Renaissance; The National Gallery of Art, Washington D.C., U.S.A.; oil and tempera on panel; 42 x 36 cm

Portrat of a Young Man; 1470; Italian; Early Renaissance; The Metropolitan Museum of Art, New York, New York, U.S.A.; tempera on wood; 54 x 39 cm

The Betrothal of Jason and Medea; 1487; Italian; Early Renaissance; Musée des Arts Décoratifs, Paris, France; tempera on panel; 33 x 64 cm

The Story of Joseph; 1485; Italian; Early Renaissance; The Metropollitan Museum of Art, New York, New York, U.S.A.; tempera on wood; 69 x 150 cm

The Triumph of Camilus; 1470-1475; Italian; Early Renaissance; The National Gallery of Art, Washington D.C., U.S.A.; tempera on panel; 60 x 154 cm

Crucifix -- 1287-1288; Italian; Pre-Renaissance / Byzantine; Basilica Di Santa Croce, Florence, Italy; distemper on wood panel; 176 x390 cm

Madonna and Child Enthroned with Eight Angels and Four Prophets (Maestà); 1285-1286; Italian; Pre-Renaissance / Byzantine; Galleria degli Uffizi, Florence, Italy; tempera on panel; 385 x 223 cm

Madonna and Child Enthroned with Two Angels; 1280-1285; Italian; Pre-Renaissance / Byzantine; Santa Maria dei Servi, Bologna, Italy; tempera and gold on wood; 218 x 118 cm

An Old Man with his Grandson; 1490; Italian; Early Renaissance; Musée du Louvre, Paris, France; tempera on wood; 62 x 46 cm

Madonna and Child; 1470; Italian; Early Renaissance; The National Gallery of Art, Washington D.C., U.S.A.; tempera on panel transferred to hardboard; 73 x 50 cm

St. Jerome; 1480; Italian; Early Renaissance; Ognissanti, Florence, Italy; fresco; 184 x 119 cm

Portrait of Giovanna Tornabuoni; 1489-1490; Italian; Early Renaissance; Museo Thyssen-Bornemisza, Madrid, Spain; tempera on panel; 77 x 49 cm

Vocation of the Apostles; 1481; Italian; Early Renaissance; Sistiine Chapel, Vatican City; fresco; 570 x 349 cm

The Madonna and Child Adored by St. Zenobius and St. Justus; 1483; Italian; Early Renaissance; Galleria degli Uffizi, Florence, Italy; tempera on wood; 191 x 200 cm

The Visitation; 1491; Italian; Early Renaissance; Musée du Louvre, Paris, France; tempera on wood; 172 x 167 cm

Young Man; 1480-1494; Italian; Early Renaissance; Detroit Institute of Arts, Michigan, U.S.A.; oil on panel; 33 x 23 cm

Santa Lucia de' Magnoli Altarpiece; 1445-1447; Italian; Early Renaissance; Galleria degli Uffizi, Florence, Italy; tempera on panel; 198 x 207 cm

Madonna and Child with Saints polyptych; 1311-1319; Italian; Pre-Renaissance / Byzantine; Pinacoteca Nazionale, Siena, Italy; tempera and gold on wood; size unknown

Maestà Altarpiece; 1308-1311; Italian; Pre-Renaissance / Byzantine; Museo dell'Opera Metropolitana del Duomo, Siena, Italy; tempera and gold on wood; 213 x 396 cm; compound work of a complex altarpiece; one of 70 panels; complete work over 2.1m x 4.3m (or 7 x 14 feet)

Rucellai Madonna; 1285-1286; Italian; Pre-Renaissance / Byzantine; Galleria degli Uffizi, Florence, Italy; tempera and gold on wood; 450 x 290 cm

Coronation of the Virgin; 1467-69; Italian; Early Renaissance; Duomo, Cathedral of Spoleto, Italy; fresco; size unknown;

Madonna and Child; 1440-1445; Italian; Early Renaissance; The National Gallery of Art, Washington, D.C., U.S.A.; tempera on panel; 79 x 51 cm

Madonna with the Child and Scenes from the Life of St Anne; 1452; Italian; Early Renaissance; Palazzo Pitti, Florence, Italy; oil on panel; 135 cm diameter

Madonna with the Child and Two Angels; 1460-1465; Italian; Early Renaissance; Galleria degli Uffizi, Florence, Italy; tempera on wood; 95 x 62 cm

Portrait of a Man and a Woman at a Casement; 1440; Italian; Early Renaissance; The Metropolitan Museum of Art, New York, U.S.A.; tempera on wood; 64 x 42 cm

Adoration in the Forest; 1459; Italian; Early Renaissance; Gemäldegalerie - Staatliche Museen, Berlin, Germany; oil on poplar wood; 130 x 118 cm

The Coronation of the Virgin; 1439-1447; Italian; Early Renaissance; Galleria degli Uffizi, Florence, Italy; tempera on panel; 200 x 287 cm

The Holy Family with St. John the Baptist and Saint Margaret; 1495; Italian; Early Renaissance; The Cleveland Museum of Art, Ohio, U.S.A.; tempera and oil on wood; 153 cm in diameter

Annuciatory Angel; 1450-1455; Italian; Early Renaissance; Detroit Institute of Arts, Michigan; U.S.A.; gold leaf and tempera on panel; 33 x 27 cm

Beheading of Saint Cosmas and Saint Damian; 1438-1440; Italian; Early Renaissance; Musée du Louvre, Paris, France; tempera on paper; 46 x 36 cm; from San Marco Altarpiece

Coronation of the Virgin; 1432; Italian; Early Renaissance; Galleria degli Uffizi, Florence, Italy; tempera on panel; 112 x 114 cm

Deposition from the Cross; 1432-1434; Italian; Early Renaissance; Museo di San Marco, Florence, Italy; tempera on panel; 176 x 185 cm

Madonna and Child with Angels; 1425-1430; Italian; Early Renaissance; Detroit Institute of Arts, Michigan, U.S.A.; tempera and gold on panel; 16 x 10 cm

Eighteen Blessed at the Dominican Order (from the Fiesole San Domenico Altarpiece); 1423-1424; Italian; Early Renaissance; The National Gallery, London, England; tempera on wood; 31 x 22 cm

Madonna of Humility; 1433-1435; Italian; Early Renaissance; Museu Nacional d'Art de Catalunya, Barcelona, Spain; tempera on wood; 147 x 91 cm

St. Nicholas Saves the Ship (Perugia Altarpiece); 1437; Italian; Early Renaissance; Pinateca Vatican, Vatican City; tempera on panel; 34 x 60 cm; center panel of Predella of Perugia Alterpiece

The Adoration of the Magi; 1440-1460; Italian; Early Renaissance; The National Gallery Art, Washington D.C., U.S.A.; tempera on poplar panel; 137 cm diameter

The Annunciation; 1437-1446; Italian; Early Renaissance; Museo Diocesano, Cortona, Italy; fresco; 175 x 180 cm

The Coronation of the Virgin (from the priory church of San Domenico, Fiesole); 1430-1432; Italian; Early Renaissance; Musée du Louvre, Paris, France; tempera on wood; 209 x 206 cm

The Last Judgment; 1431; Italian; Early Renaissance; Museo di San Marco, Florence, Italy; tempera on panel; 105 x 210 cm

Joachim Among the Shepheds; 1304-1306; Italian; Pre-Renaissance; Capella Degli Scrovegni, Padua, Italy; fresco; 185 x 200 cm; one of 38 murals of a compound work decorating the Arena Chapel

Lamentation (The Mourning of Christ); 1304-1306; Italian; Pre-Renaissance; Capella Degli Scrovegni, Padua, Italy; fresco; 200 x 185 cm; one of 38 murals of a compound work decorating the Arena Chapel

Madonna and Child Enthroned with Saints (Ognissanti Madonna); 1305-1310; Italian; Pre-Renaissance / Byzantine; Galleria degli Uffizi, Florence, Italy; tempera on wood; 325 x 204 cm

Madonna and Child with St. Nicholas, St. John the Evangelist, St. Peter and St. Bededict (Badia Polytych); 1300; Italian; Pre-Renaissance / Byzantine; Galleria degli Uffizi, Florence, Italy; tempera on panel; 142 x 337 cm

Stigmatization; 1300; Italian; Pre-Renaissance; Church of Santa Croce, Florence, Italy; fresco; 390 x 370 cm

The Vision of the Chariot of Fire; 1297-1299; Italian; Pre-Renaissance; St. Franchis Upper Church, Assisi, Italy; fresco; 230 x 270 cm

Alzano Madonna (Madonna with Child); 1485; Italian; Early Renaissance; Accademia Carrara, Bergamo, Italy; oil on panel; 83 x 66 cm

Madonna of the Meadow; 1505; Italian; Early Renaissance; The National Gallery, London, England; oil and tempera on panel; 67 x 86 cm

Madonna of the Small Trees; 1487; Italian; Early Renaissance; Gallerie dell'Accademia, Venice, Italy; oil on panel; 74 x 58 cm

Madonna Willys (Virgin with the Standing Child, Embracing His Mother); 1480; Italian; Earrly Renaissance; São Paulo Museum of Art, Brazil; oil on wood; 75 x59 cm

Madonna and Child; 1510; Italian; Early Renaissance; Pinacoteca di Brera, Milan, Italy; oil on canvas; 85 x 115 cm

Sacra Conversatione (St. Zaccaria Altarpiece); 1505; Italian; Early Renaissance; San Zaccaria, Venice, Italy; oil on wood transferred to canvas; 500 x 235 cm

Naked Young Woman in Front of the Mirror; 1515; Italian Early Renaissance; Kunsthistorisches Museum, Vienna, Austria; oil on canvas; 62 x 79 cm

Sacred Conversation Giovanelli ( Madonna and Child with St. John the Baptist and a saint); 1490-1500; Italian; Early Renaissance; Galleria dell'Accademia, Venice, Italy; oil on panel; 54 x 76 cm

Saint Jerome Reading in the Countryside; 1480-1485; Italian; Early Renaissance; National Gallery, London, England; tempera and oil on wood; 47 x 34 cm

St. Francis in Ecstasy; 1480; Italian; Early Renaissance; The Frick Collection, New York, New York, U.S.A.; oil and tempera on poplar wood; 124 x 141 cm

The Doge Leonardo Loredan; 1501; Italian; Early Renaissance; The National Gallery, London, England; oil on panel; 62 x 45 cm

Transfiguration of Christ; 1480; Italian; Early Renaissance; Museo di Capodimonte, Naples, Italy; oil on panel; 115 x 152 cm

Archangel Michael; 1456; Spanish; Early Renaissance; Museu Nacional d'Art de Catalunya, Barcelona, Spain; tempera on panel; 213 x 136 cm

The Consecration of Saint Augstine; 1463-1475; Spanish; Early Renaissance; Museu Nacional d'Art de Catalunya, Barcelona, Spain; tempera, stucco reliefs and gold leaf on wood; 250 x 193 cm

Virgin; 1450; Spanish; Early Renaissance; Museu Nacional d'Art de Catalunya, Barcelona, Spain; tempera, stucco reliefs and gold leaf on wood; 213 x 160 cm

Portrait of a Young Man; 1425; Italian; Early Renaissance; The National Gallery of Art, Washington, D.C., U.S.A.; tempera on panel; 42 x 32 cm

San Giovenale Triptych; 1422; Italian; Early Renaissance; Cascia di Reggello, Italy; oil on panel; 110 x 65 cm

The Expulsion of Adam and Eve from Eden; 1425-1427; Italian; Early Renaissance; Brancacci Chapel, Santa Maria del Carmine, Florence, Italy; fresco; 208 x 88 cm; an imposing scene of a composite fresco occupying the chapel; the complete fresco was started by Masolino and completed by Filippino Lippi

The Trinity; 1426-1427; Italian; Early Renaissance; Santa Maria Novella, Florence, Italy; fresco; 667 x 312 cm

The Tribute Money; 1425; Italian; Early Renaissance; Brancacci Chapel, Santa Maria del Carmine, Florence, Italy; fresco; 255 x 598 cm; an imposing scene of a composite fresco occupying the chapel; the complete fresco was started by Masolino and completed by Filippino Lippi

Madonna and Child with Angels; 1426; Italian; Early Renaissance; The National Gallery, London, England; color on panel; 136 x 73 cm

Funerary Monument to Sir John Hawkwood; 1436; Italian; Early Renaissance; Duomo, Florence, Italy; fresco; 820 x 514 cm

St. George and the Dragon; 1470; Italian; Early Renaissance; The National Gallery, London, England; oil on canvas; 57 x 73 cm

Niccolò da Tolentino at the Battle of San Romano; 1438-1440; Italian; Early Renaissance; The National Gallery, London, England; tempera with walnut oil and linseed oil on poplar; 182 x 120 cm; central panel of trypch

The Hunt in the Forest; 1470; Italian; Early Renaissance; Ashmolean Museum, Oxford, England; tempera, oil and gold on panel; 73 x 177 cm

Madonna di Senigallia; 1474; Italian; Early Renaissance; Galleria Nazionale delle Marche, Urbino, Italy; oil on panel; 67 x 54 cm

Madonna and Child with Saints (Montefeltro Altarpiece); 1469-1474; Italian; Early Renaissance; Pinacoteca di Brera, Milan, Italy; tempera and oil on panel; 251 x 172 cm

Portraits of Federico da Montefeltro and His Wife Battista Sforza; 1472; Italian; Early Renaissance; Galleria degli Uffizi, Florence, Italy; tempera on panel; 47 x 33 cm each of two panels

The Polyptych of the Misericordia; 1462; Italian; Early Renaissance; Pinacoteca Comunale, Sansepolcro, Italy; oil and tempera on panel; 134 x 91 cm

The Resurrection; 1463; Italian; Early Renaissance; Pinacoteca Comunale, Sansepolcro, Italy; fresco; 225 x 200 cm

The Baptism of Christ; 1450-1460; Italian; Early Renaissance; The National Gallery, London, England; tempera on poplar; 168 x 116 cm

Portrait of a Princess of the House of Este; 1436; Italian; Early Renaissance; Musée du Louvre, Paris, France; tempera on wood; 43 x 30 cm

The Virgin and Child with Saints George and Anthony Abbot; mid 1400s; Italian; Early Renaissance; The National Gallery, London, England; oil on panel; 46 x 75 cm

Vision of St. Eustace; 1436-1438; Italian; Early Renaissance; The National Gallery, London, England; tempera on wood; 65 x 53 cm

Adoration of the Magi; 1475-1476; Italian; Early Renaissance; Galleria degli Ufizi, Florence, Italy; tempera on panel; 111 x 134 cm

Annunciation; 1485; Italian; Early Renaissance; The Metropolitan Museum of New York, New York, U.S.A.; tempera and gold on panel; 19 x 31 cm

Madonna Adoring the Child with Five Angels; 1485-1490; Italian; Early Renaissance; Baltimore Museum of Art, Maryland, U.S.A.; tempera and oil on panel; 133 cm diameter

Madonna and Child with Eight Angels; 1478; Italian; Early Renaissance; Staatliche Museen, Berlin; tempera on panel; 135 cm diameter

Madonna and Child with St. John the Baptist; 1470-1475; Italian; Early Renaissance; Musée du Louvre, Paris, France; oil on wood; 90 x 67 cm

Mystic Nativity; 1500-1501; Italian; Early Renaissance; The National Gallery of Art, London, England; tempera on panel; 108 x 75 cm

Madonna in Glory with Seraphim; 1469-1470; Italian; Early Renaissance; Galleria degli Uffizi, Florence, Italy; tempera on panel; 120 x 65 cm

Madonna of the Magnificat (Madone del Magnificat); 1480-1481; Italian; Early Renaissance; Galleria degli Uffizi, Florence, Italy; oil on panel; 188 cm diameter

Madonna and Child with Six Saints; 1470; Italian; Early Renaissance; Galleria degli Uffizi, Florence, Italy; tempera on panel; 170 x 194 cm

Pallas and the Centaur; 1482; Italian; Early Renaissance; Galleria degli Uffizi, Florence, Italy; tempera on panel; 204 x 148 cm

Portrait of Simonetta Vespucci; 1476; Italian; Early Renaissance; Städel Museum, Frankfurt, Germany; tempera on wood; 35 x 48 cm; maybe the model for "The Birth of Venus" seven years later"

Primavera (Allegory of Spring); 1481-82; Italian; Early Renaissance; Galleria degli Uffizi, Florence, Italy; tempera on canvas; 203 x 314 cm

The Birth of Venus; 1486; Italian; Early Renaissance; Galleria degli Uffizi, Florence, Italy; tempera on panel; 173 x 279 cm

The Cestello Annunciation; 1489; Italian; Early Renaissance; Galleria degli Uffizi, Florence, Italy; tempera on canvas; 150 x 156 cm

The Discovery of the Body of Holofernes; 1472-1473; Italian; Early Renaissance; Galleria degli Ufizi, Florence, Italy; tempera on panel; 31 x 25 cm

The Resurrected Christ; 1480; Italian; Early Renaissance; Detroit Institute of Arts, Michigan, U.S.A.; paint on wood (transferred); 46 x 30 cm

Portrait of a Young Man; 1485; Italian; Early Renaissance; The National Gallery, London, England; oil on panel; 36 x 28 cm

The Madonna of the Book (The Virgin and the Child); 1480-1481; Italian; Early Renaissance; Museo Poldi Pezzoli, Milan, Italy; tempera on panel; 58 x 40 cm

The Tragedy of Lucretia; 1496-1504; Italian; Early Renaissance; Isabella Stewart Gardner Museum, Boston, Massachusetts, U.S.A.; tempera and oil on wood; 84 x 177 cm

Venus and Mars; 1483; Italian; Early Renaissance; The National Gallery, London, England; tempera on panel; 69 x 173 cm

Flight To Egypt; 1445; Italian; Early Renaissance; Pinacoteca Vaticana, Vatican City; tempera on panel; size unknown

Madonna and Child with Saints James Major and John the Baptist Altarpiece; 1460s; Italian; Early Renaissance; Brooklyn Museum, New York, New York, U.S.A.; tempera and gold on panel; size unknown

Madonna and Child with Saints Jerome, Bernardino, John the Baptist, and Anthony of Padua and Two Angels; 1465-1470; Italian; Early Renaissance; The Metropolitan Museum of Art, New York, U.S.A.; tempera on wood, gold ground; 62 x 40 cm

Madonna dell'Umiltà; 1433; Italian; Early Renaissance; Pinacoteca Vaticana, Vatican City; tempera on panel; size unknown

Saint Francis Renounces His Earthly Father (from the San Sepolcro Altarpiece); 1437-1444; Italian; Early Renaissance; The National Gallery, London, England; tempera on panel; 88 x 52 cm

The Death of Saint Anthony; 1440; Italian; Early Renaissance; The National Gallery of Art, Washington, D.C., U.S.A.; oil on wood; 36 x 38 cm

The Meeting of St. Anthony and St. Paul; 1440; Italian; Early Renaissance; The National Gallery of Art, Washington, D.C., U.S.A.; tempera on poplar panel; 46 x 33 cm