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The Early Renaissance was a period of great creative and intellectual activity, during which artists broke away from the restrictions of Byzantine Art. Artists studied the natural world in order to perfect their understanding of such subjects as anatomy and perspectives. This art period runs approximately from the late 13th Century until the early 16th Century, with the majority of works coming from various schools across Italy. During this period there was a related advancement in paintings centered in Germany and the Netherlands, known as the Northern Renaissance, covered under another Factacular subject. The Early Renaissance was succeeded by the mature High Renaissance period, which began circa 1500. Facts are derived from the most popular paintings of key artists listed on the Wikipedia, Wikiart, WikiMedia Commons, Google Art Project, The Atheneum, Olga's Gallery and/or the Web Gallery of Art websites.
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 Adoration of the Magi; 1462; Italian; Early Renaissance; Galleria degli Uffizi, Florence, Italy; tempera on panel; 76 x 76 cm  Adoration of the Shepherds; 1456; Italian; Early Renaissance; The Metroploitan Museum of Art, New York, New York, U.S.A.; oil on panel; 56 x 40 cm  Christ as the Suffering Redeemer; 1495-1500; Italian; Early Renaissance; Statens Museum for Kunst, Copenhagen, Denmark; tempera on panel; 78 x 48 cm  Ecce Homo; 1500; Italian, Early Renaissance; Musée Jacquemart-André, Paris, France; distemper and gold on canvas, backed with wood; 54 x 42 cm  Ludovico Gonzaga and His Family and the Court of Mantua; 1470; Italian; Early Renaissance; Camera degli Sposi (Wedding Room), North Wall, Palazzo Ducale, Mantua, Italy" fresco; 600 x 807 cm  Madonna with Sleeping Child; 1465-1470; Italian; Early Renaissance; distemper on canvas; 43 x 32 cm  Madonna and Child with Cherubim; 1480-1490; Italian; Early Renaissance; Pinacoteca di Brera, Milan, Italy; oil on canvas; 88 x 70 cm  Madonna della Vittoria; 1495-1496; Italian; Early Renaissance; Musée du Louvre, Paris, France; tempera on canvas; 280 x 166 cm  Open Oculus in Vaulted Ceiling; 1471-1474; Italian; Early Renaissance; Camera degli Sposi (Wedding Room), Palazzo Ducale, Mantua, Italy; fresco; 270 cm diameter  St. Sebastian; 1480; Italian; Early Renaissance; Musée du Louvre, Paris, France; tempera on canvas; 255 x 140 cm  The Agony in the Garden; 1459; Italian; Early Renaissance; The National Gallery, London, England; tempera on canvas; 63 x 25 cm  The Crucifixion; 1457-1459; Italian; Early Renaissance; Musée du Louvre, Paris, France; oil on panel; 67 x 93 cm; central panel of predella of the altarpiece of San Zeno, Verona, Italy; taken by Napolean to France  The Dead Christ (Lamentation of Christ); 1480; Italian; Early Renaissance; Pinacoteca di Brera, Milan, Italy; oil on canvas; 68 x 81 cm  The Resurrection (predella panel from the San Zeno Altarpiece); 1456-1459; Italian; Early Renaissance; Musée des Beaux-Arts de Tours, France; tempera on wood; 28 x 37 cm  Madonna Salting; 1460-1469; Italian; Early Renaissance; The National Gallery, London, England; oil on panel; 43 x 34 cm  Portrait of a Man; 1475-1476; Italian; Early Rennaissance; The National Gallery of Art, London, England; oil on panel; 26 x 36 cm  St. Jerome in His Study; 1475; Italian; High Renaissance; The National Gallery, London, England; tempera on lime; 46 x 36 cm  The Virgin Annunciate; 1475; Italian; Early Renaissance; Galleria Regionale della Sicilia, Palermo, Italy; oil on panel; 45 x 34 cm  Procession of the Magi; 1459-1461; Italian; Early Renaissance; Palazzo Medici-Riccardi, Florence, Italy; fresco; size unknown  St. Ursula with Two Angels and Donor; 1455-1460; Italian; Early Renaissance; The National Gallery of Art, Washington D.C., U.S.A.; tempera on panel; 44 x 28 cm  Procession of the Middle King (south wall detail); 1459-1461; Italian; Early Renaissance; Magi Chapel of Palazzo Medici-Riccardi, Florence, Italy; fresco; size unknown  Madonna Worshipping the Child and an Angel; 1475; Italian; Early Renaissance; São Paulo Museum of Art, São Paulo, Brazil; tempera on panel; 74 x 54 cm  Portrait of a Boy; 1476-1480; Italian; Early Renaissance; The National Gallery of Art, Washington D.C., U.S.A.; oil and tempera on panel; 42 x 36 cm  Portrat of a Young Man; 1470; Italian; Early Renaissance; The Metropolitan Museum of Art, New York, New York, U.S.A.; tempera on wood; 54 x 39 cm  The Betrothal of Jason and Medea; 1487; Italian; Early Renaissance; Musée des Arts Décoratifs, Paris, France; tempera on panel; 33 x 64 cm  The Story of Joseph; 1485; Italian; Early Renaissance; The Metropollitan Museum of Art, New York, New York, U.S.A.; tempera on wood; 69 x 150 cm  The Triumph of Camilus; 1470-1475; Italian; Early Renaissance; The National Gallery of Art, Washington D.C., U.S.A.; tempera on panel; 60 x 154 cm  Crucifix -- 1287-1288; Italian; Pre-Renaissance / Byzantine; Basilica Di Santa Croce, Florence, Italy; distemper on wood panel; 176 x390 cm  Madonna and Child Enthroned with Eight Angels and Four Prophets (Maestà ); 1285-1286; Italian; Pre-Renaissance / Byzantine; Galleria degli Uffizi, Florence, Italy; tempera on panel; 385 x 223 cm  Madonna and Child Enthroned with Two Angels; 1280-1285; Italian; Pre-Renaissance / Byzantine; Santa Maria dei Servi, Bologna, Italy; tempera and gold on wood; 218 x 118 cm  An Old Man with his Grandson; 1490; Italian; Early Renaissance; Musée du Louvre, Paris, France; tempera on wood; 62 x 46 cm  Madonna and Child; 1470; Italian; Early Renaissance; The National Gallery of Art, Washington D.C., U.S.A.; tempera on panel transferred to hardboard; 73 x 50 cm  St. Jerome; 1480; Italian; Early Renaissance; Ognissanti, Florence, Italy; fresco; 184 x 119 cm  Portrait of Giovanna Tornabuoni; 1489-1490; Italian; Early Renaissance; Museo Thyssen-Bornemisza, Madrid, Spain; tempera on panel; 77 x 49 cm  Vocation of the Apostles; 1481; Italian; Early Renaissance; Sistiine Chapel, Vatican City; fresco; 570 x 349 cm  The Madonna and Child Adored by St. Zenobius and St. Justus; 1483; Italian; Early Renaissance; Galleria degli Uffizi, Florence, Italy; tempera on wood; 191 x 200 cm  The Visitation; 1491; Italian; Early Renaissance; Musée du Louvre, Paris, France; tempera on wood; 172 x 167 cm  Young Man; 1480-1494; Italian; Early Renaissance; Detroit Institute of Arts, Michigan, U.S.A.; oil on panel; 33 x 23 cm  Santa Lucia de' Magnoli Altarpiece; 1445-1447; Italian; Early Renaissance; Galleria degli Uffizi, Florence, Italy; tempera on panel; 198 x 207 cm  Madonna and Child with Saints polyptych; 1311-1319; Italian; Pre-Renaissance / Byzantine; Pinacoteca Nazionale, Siena, Italy; tempera and gold on wood; size unknown  Maestà Altarpiece; 1308-1311; Italian; Pre-Renaissance / Byzantine; Museo dell'Opera Metropolitana del Duomo, Siena, Italy; tempera and gold on wood; 213 x 396 cm; compound work of a complex altarpiece; one of 70 panels; complete work over 2.1m x 4.3m (or 7 x 14 feet)  Rucellai Madonna; 1285-1286; Italian; Pre-Renaissance / Byzantine; Galleria degli Uffizi, Florence, Italy; tempera and gold on wood; 450 x 290 cm  Coronation of the Virgin; 1467-69; Italian; Early Renaissance; Duomo, Cathedral of Spoleto, Italy; fresco; size unknown;  Madonna and Child; 1440-1445; Italian; Early Renaissance; The National Gallery of Art, Washington, D.C., U.S.A.; tempera on panel; 79 x 51 cm  Madonna with the Child and Scenes from the Life of St Anne; 1452; Italian; Early Renaissance; Palazzo Pitti, Florence, Italy; oil on panel; 135 cm diameter  Madonna with the Child and Two Angels; 1460-1465; Italian; Early Renaissance; Galleria degli Uffizi, Florence, Italy; tempera on wood; 95 x 62 cm  Portrait of a Man and a Woman at a Casement; 1440; Italian; Early Renaissance; The Metropolitan Museum of Art, New York, U.S.A.; tempera on wood; 64 x 42 cm  Adoration in the Forest; 1459; Italian; Early Renaissance; Gemäldegalerie - Staatliche Museen, Berlin, Germany; oil on poplar wood; 130 x 118 cm  The Coronation of the Virgin; 1439-1447; Italian; Early Renaissance; Galleria degli Uffizi, Florence, Italy; tempera on panel; 200 x 287 cm  The Holy Family with St. John the Baptist and Saint Margaret; 1495; Italian; Early Renaissance; The Cleveland Museum of Art, Ohio, U.S.A.; tempera and oil on wood; 153 cm in diameter  Annuciatory Angel; 1450-1455; Italian; Early Renaissance; Detroit Institute of Arts, Michigan; U.S.A.; gold leaf and tempera on panel; 33 x 27 cm  Beheading of Saint Cosmas and Saint Damian; 1438-1440; Italian; Early Renaissance; Musée du Louvre, Paris, France; tempera on paper; 46 x 36 cm; from San Marco Altarpiece  Coronation of the Virgin; 1432; Italian; Early Renaissance; Galleria degli Uffizi, Florence, Italy; tempera on panel; 112 x 114 cm  Deposition from the Cross; 1432-1434; Italian; Early Renaissance; Museo di San Marco, Florence, Italy; tempera on panel; 176 x 185 cm  Madonna and Child with Angels; 1425-1430; Italian; Early Renaissance; Detroit Institute of Arts, Michigan, U.S.A.; tempera and gold on panel; 16 x 10 cm  Eighteen Blessed at the Dominican Order (from the Fiesole San Domenico Altarpiece); 1423-1424; Italian; Early Renaissance; The National Gallery, London, England; tempera on wood; 31 x 22 cm  Madonna of Humility; 1433-1435; Italian; Early Renaissance; Museu Nacional d'Art de Catalunya, Barcelona, Spain; tempera on wood; 147 x 91 cm  St. Nicholas Saves the Ship (Perugia Altarpiece); 1437; Italian; Early Renaissance; Pinateca Vatican, Vatican City; tempera on panel; 34 x 60 cm; center panel of Predella of Perugia Alterpiece  The Adoration of the Magi; 1440-1460; Italian; Early Renaissance; The National Gallery Art, Washington D.C., U.S.A.; tempera on poplar panel; 137 cm diameter  The Annunciation; 1437-1446; Italian; Early Renaissance; Museo Diocesano, Cortona, Italy; fresco; 175 x 180 cm  The Coronation of the Virgin (from the priory church of San Domenico, Fiesole); 1430-1432; Italian; Early Renaissance; Musée du Louvre, Paris, France; tempera on wood; 209 x 206 cm  The Last Judgment; 1431; Italian; Early Renaissance; Museo di San Marco, Florence, Italy; tempera on panel; 105 x 210 cm  Joachim Among the Shepheds; 1304-1306; Italian; Pre-Renaissance; Capella Degli Scrovegni, Padua, Italy; fresco; 185 x 200 cm; one of 38 murals of a compound work decorating the Arena Chapel  Lamentation (The Mourning of Christ); 1304-1306; Italian; Pre-Renaissance; Capella Degli Scrovegni, Padua, Italy; fresco; 200 x 185 cm; one of 38 murals of a compound work decorating the Arena Chapel  Madonna and Child Enthroned with Saints (Ognissanti Madonna); 1305-1310; Italian; Pre-Renaissance / Byzantine; Galleria degli Uffizi, Florence, Italy; tempera on wood; 325 x 204 cm  Madonna and Child with St. Nicholas, St. John the Evangelist, St. Peter and St. Bededict (Badia Polytych); 1300; Italian; Pre-Renaissance / Byzantine; Galleria degli Uffizi, Florence, Italy; tempera on panel; 142 x 337 cm  Stigmatization; 1300; Italian; Pre-Renaissance; Church of Santa Croce, Florence, Italy; fresco; 390 x 370 cm  The Vision of the Chariot of Fire; 1297-1299; Italian; Pre-Renaissance; St. Franchis Upper Church, Assisi, Italy; fresco; 230 x 270 cm  Alzano Madonna (Madonna with Child); 1485; Italian; Early Renaissance; Accademia Carrara, Bergamo, Italy; oil on panel; 83 x 66 cm  Madonna of the Meadow; 1505; Italian; Early Renaissance; The National Gallery, London, England; oil and tempera on panel; 67 x 86 cm  Madonna of the Small Trees; 1487; Italian; Early Renaissance; Gallerie dell'Accademia, Venice, Italy; oil on panel; 74 x 58 cm  Madonna Willys (Virgin with the Standing Child, Embracing His Mother); 1480; Italian; Earrly Renaissance; São Paulo Museum of Art, Brazil; oil on wood; 75 x59 cm  Madonna and Child; 1510; Italian; Early Renaissance; Pinacoteca di Brera, Milan, Italy; oil on canvas; 85 x 115 cm  Sacra Conversatione (St. Zaccaria Altarpiece); 1505; Italian; Early Renaissance; San Zaccaria, Venice, Italy; oil on wood transferred to canvas; 500 x 235 cm  Naked Young Woman in Front of the Mirror; 1515; Italian Early Renaissance; Kunsthistorisches Museum, Vienna, Austria; oil on canvas; 62 x 79 cm  Sacred Conversation Giovanelli ( Madonna and Child with St. John the Baptist and a saint); 1490-1500; Italian; Early Renaissance; Galleria dell'Accademia, Venice, Italy; oil on panel; 54 x 76 cm  Saint Jerome Reading in the Countryside; 1480-1485; Italian; Early Renaissance; National Gallery, London, England; tempera and oil on wood; 47 x 34 cm  St. Francis in Ecstasy; 1480; Italian; Early Renaissance; The Frick Collection, New York, New York, U.S.A.; oil and tempera on poplar wood; 124 x 141 cm  The Doge Leonardo Loredan; 1501; Italian; Early Renaissance; The National Gallery, London, England; oil on panel; 62 x 45 cm  Transfiguration of Christ; 1480; Italian; Early Renaissance; Museo di Capodimonte, Naples, Italy; oil on panel; 115 x 152 cm  Archangel Michael; 1456; Spanish; Early Renaissance; Museu Nacional d'Art de Catalunya, Barcelona, Spain; tempera on panel; 213 x 136 cm  The Consecration of Saint Augstine; 1463-1475; Spanish; Early Renaissance; Museu Nacional d'Art de Catalunya, Barcelona, Spain; tempera, stucco reliefs and gold leaf on wood; 250 x 193 cm  Virgin; 1450; Spanish; Early Renaissance; Museu Nacional d'Art de Catalunya, Barcelona, Spain; tempera, stucco reliefs and gold leaf on wood; 213 x 160 cm  Portrait of a Young Man; 1425; Italian; Early Renaissance; The National Gallery of Art, Washington, D.C., U.S.A.; tempera on panel; 42 x 32 cm  San Giovenale Triptych; 1422; Italian; Early Renaissance; Cascia di Reggello, Italy; oil on panel; 110 x 65 cm  The Expulsion of Adam and Eve from Eden; 1425-1427; Italian; Early Renaissance; Brancacci Chapel, Santa Maria del Carmine, Florence, Italy; fresco; 208 x 88 cm; an imposing scene of a composite fresco occupying the chapel; the complete fresco was started by Masolino and completed by Filippino Lippi  The Trinity; 1426-1427; Italian; Early Renaissance; Santa Maria Novella, Florence, Italy; fresco; 667 x 312 cm  The Tribute Money; 1425; Italian; Early Renaissance; Brancacci Chapel, Santa Maria del Carmine, Florence, Italy; fresco; 255 x 598 cm; an imposing scene of a composite fresco occupying the chapel; the complete fresco was started by Masolino and completed by Filippino Lippi  Madonna and Child with Angels; 1426; Italian; Early Renaissance; The National Gallery, London, England; color on panel; 136 x 73 cm  Funerary Monument to Sir John Hawkwood; 1436; Italian; Early Renaissance; Duomo, Florence, Italy; fresco; 820 x 514 cm  St. George and the Dragon; 1470; Italian; Early Renaissance; The National Gallery, London, England; oil on canvas; 57 x 73 cm  Niccolò da Tolentino at the Battle of San Romano; 1438-1440; Italian; Early Renaissance; The National Gallery, London, England; tempera with walnut oil and linseed oil on poplar; 182 x 120 cm; central panel of trypch  The Hunt in the Forest; 1470; Italian; Early Renaissance; Ashmolean Museum, Oxford, England; tempera, oil and gold on panel; 73 x 177 cm  Madonna di Senigallia; 1474; Italian; Early Renaissance; Galleria Nazionale delle Marche, Urbino, Italy; oil on panel; 67 x 54 cm  Madonna and Child with Saints (Montefeltro Altarpiece); 1469-1474; Italian; Early Renaissance; Pinacoteca di Brera, Milan, Italy; tempera and oil on panel; 251 x 172 cm  Portraits of Federico da Montefeltro and His Wife Battista Sforza; 1472; Italian; Early Renaissance; Galleria degli Uffizi, Florence, Italy; tempera on panel; 47 x 33 cm each of two panels  The Polyptych of the Misericordia; 1462; Italian; Early Renaissance; Pinacoteca Comunale, Sansepolcro, Italy; oil and tempera on panel; 134 x 91 cm  The Resurrection; 1463; Italian; Early Renaissance; Pinacoteca Comunale, Sansepolcro, Italy; fresco; 225 x 200 cm  The Baptism of Christ; 1450-1460; Italian; Early Renaissance; The National Gallery, London, England; tempera on poplar; 168 x 116 cm  Portrait of a Princess of the House of Este; 1436; Italian; Early Renaissance; Musée du Louvre, Paris, France; tempera on wood; 43 x 30 cm  The Virgin and Child with Saints George and Anthony Abbot; mid 1400s; Italian; Early Renaissance; The National Gallery, London, England; oil on panel; 46 x 75 cm  Vision of St. Eustace; 1436-1438; Italian; Early Renaissance; The National Gallery, London, England; tempera on wood; 65 x 53 cm  Adoration of the Magi; 1475-1476; Italian; Early Renaissance; Galleria degli Ufizi, Florence, Italy; tempera on panel; 111 x 134 cm  Annunciation; 1485; Italian; Early Renaissance; The Metropolitan Museum of New York, New York, U.S.A.; tempera and gold on panel; 19 x 31 cm  Madonna Adoring the Child with Five Angels; 1485-1490; Italian; Early Renaissance; Baltimore Museum of Art, Maryland, U.S.A.; tempera and oil on panel; 133 cm diameter  Madonna and Child with Eight Angels; 1478; Italian; Early Renaissance; Staatliche Museen, Berlin; tempera on panel; 135 cm diameter  Madonna and Child with St. John the Baptist; 1470-1475; Italian; Early Renaissance; Musée du Louvre, Paris, France; oil on wood; 90 x 67 cm  Mystic Nativity; 1500-1501; Italian; Early Renaissance; The National Gallery of Art, London, England; tempera on panel; 108 x 75 cm  Madonna in Glory with Seraphim; 1469-1470; Italian; Early Renaissance; Galleria degli Uffizi, Florence, Italy; tempera on panel; 120 x 65 cm  Madonna of the Magnificat (Madone del Magnificat); 1480-1481; Italian; Early Renaissance; Galleria degli Uffizi, Florence, Italy; oil on panel; 188 cm diameter  Madonna and Child with Six Saints; 1470; Italian; Early Renaissance; Galleria degli Uffizi, Florence, Italy; tempera on panel; 170 x 194 cm  Pallas and the Centaur; 1482; Italian; Early Renaissance; Galleria degli Uffizi, Florence, Italy; tempera on panel; 204 x 148 cm  Portrait of Simonetta Vespucci; 1476; Italian; Early Renaissance; Städel Museum, Frankfurt, Germany; tempera on wood; 35 x 48 cm; maybe the model for "The Birth of Venus" seven years later"  Primavera (Allegory of Spring); 1481-82; Italian; Early Renaissance; Galleria degli Uffizi, Florence, Italy; tempera on canvas; 203 x 314 cm  The Birth of Venus; 1486; Italian; Early Renaissance; Galleria degli Uffizi, Florence, Italy; tempera on panel; 173 x 279 cm  The Cestello Annunciation; 1489; Italian; Early Renaissance; Galleria degli Uffizi, Florence, Italy; tempera on canvas; 150 x 156 cm  The Discovery of the Body of Holofernes; 1472-1473; Italian; Early Renaissance; Galleria degli Ufizi, Florence, Italy; tempera on panel; 31 x 25 cm  The Resurrected Christ; 1480; Italian; Early Renaissance; Detroit Institute of Arts, Michigan, U.S.A.; paint on wood (transferred); 46 x 30 cm  Portrait of a Young Man; 1485; Italian; Early Renaissance; The National Gallery, London, England; oil on panel; 36 x 28 cm  The Madonna of the Book (The Virgin and the Child); 1480-1481; Italian; Early Renaissance; Museo Poldi Pezzoli, Milan, Italy; tempera on panel; 58 x 40 cm  The Tragedy of Lucretia; 1496-1504; Italian; Early Renaissance; Isabella Stewart Gardner Museum, Boston, Massachusetts, U.S.A.; tempera and oil on wood; 84 x 177 cm  Venus and Mars; 1483; Italian; Early Renaissance; The National Gallery, London, England; tempera on panel; 69 x 173 cm  Flight To Egypt; 1445; Italian; Early Renaissance; Pinacoteca Vaticana, Vatican City; tempera on panel; size unknown  Madonna and Child with Saints James Major and John the Baptist Altarpiece; 1460s; Italian; Early Renaissance; Brooklyn Museum, New York, New York, U.S.A.; tempera and gold on panel; size unknown  Madonna and Child with Saints Jerome, Bernardino, John the Baptist, and Anthony of Padua and Two Angels; 1465-1470; Italian; Early Renaissance; The Metropolitan Museum of Art, New York, U.S.A.; tempera on wood, gold ground; 62 x 40 cm  Madonna dell'Umiltà ; 1433; Italian; Early Renaissance; Pinacoteca Vaticana, Vatican City; tempera on panel; size unknown  Saint Francis Renounces His Earthly Father (from the San Sepolcro Altarpiece); 1437-1444; Italian; Early Renaissance; The National Gallery, London, England; tempera on panel; 88 x 52 cm  The Death of Saint Anthony; 1440; Italian; Early Renaissance; The National Gallery of Art, Washington, D.C., U.S.A.; oil on wood; 36 x 38 cm  The Meeting of St. Anthony and St. Paul; 1440; Italian; Early Renaissance; The National Gallery of Art, Washington, D.C., U.S.A.; tempera on poplar panel; 46 x 33 cm
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