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Name the Painter - Americana

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American Art spans the entire history of painting in the New World. This topic focuses in on American artists from 1800 to present, covering a wide array of styles including Impressionism, Tonalism, Neoclassicism, Romanticism, Realism, Muralism, Luminism, Naturalism, Precisionism, Abstract Art, Symbolism and Regionalism. Other American artist contributions are included under the companion Rococo, Romanticism, Realism and Modernism topics. The paintings contained within this topic are the most popular painting of key artists as listed on the Wikipedia, Wikiart, WikiMedia Commons, Google Art Project, The Atheneum, Olga's Gallery and/or the Web Gallery of Art websites.

149 facts:

Albert Bierstadt
   painted   

Nassau Harbor; 1877; American; Romanticism; The Fine Art Museum of San Francisco, California, U.S.A.; oil on paper; 37 x 51 cm
Albert Bierstadt
   painted   

The Last of the Buffalo; 1888; American; Romanticism; Corcoran Gallery of Art; oil on canvas; 180 x 301 cm
Albert Bierstadt
   painted   

The Rocky Mountains, Lander's Peak; 1863; American; Realism; The Metropolitan Museum of Art, New York, New York, U.S.A.; oil on canvas; 187 x 307 cm
Albert Bierstadt
   painted   

Yosemite Valley; 1866; American; Realism; The Cleveland Museum of Art, Ohio, U.S.A.; oil on canvas; 97 x 142 cm
Andrew Wyeth
   painted   

Braids (Portrait of Helga Testorf); 1979; American; Regionalism; private collection; tempera on panel; size unknown
Andrew Wyeth
   painted   

Christina's World; 1948; American; Regionalism; Museum of Modern Art, New York, New York, U.S.A.; tempera on panel; 82 x 121 cm
Andrew Wyeth
   painted   

Maga's Daughter; 1966; American; Regionalism; private collection; tempera on panel; size unknown
Andrew Wyeth
   painted   

Off at Sea; 1972; American; Regionalism; current location unknown; tempera on panel; size unknown
Andrew Wyeth
   painted   

Sea Boots; 1976; American; Regionalism; Detroit Institute of Arts, Michigan, U.S.A.; oil on masonite; size unknown
Andrew Wyeth
   painted   

Soaring; 1950; American; Regionalism; Shelburne Museum, Vermont, U.S.A.; tempera on masonite; 122 x 221 cm
Andrew Wyeth
   painted   

Dodges Ridge; 1947; American; Regionalism; Smithsonian American Art Museum, Washington, D.C., U.S.A.; tempera on board; 105 x 123 cmReg
Andrew Wyeth
   painted   

Wind from the Sea; 1947; American; Regionalism; National Gallery of Art, Washington, D.C., U.S.A.; tempera on board; 47 x 70 cm
A.Y. Jackson
   painted   

Houses, St. Urbain; 1934; Canadian; Post-Impressionism; current location unknown; media unknown; size unknown
A.Y. Jackson
   painted   

Red Maple; 1914; Canadian; Art Nouveau (Modern); The National Gallery of Canada, Ottawa, Canada; oil on canvas; 82 x 100 cm
A.Y. Jackson
   painted   

Winter, Charlevoix County; 1932-1933; Canadian; Art Nouveau (Modern); The Art Gallery of Ontario, Toronto, Canada; oil on canvas; size unknown
Charles Demuth
   painted   

Buildings, Lancaster; 1930; American; Precisionism; Whitney Museum of American Art, New York, New York, U.S.A.; oil on board; 61 x 51 cm
Charles Demuth
   painted   

Chimney and Water Tower; 1931; American; Precisionism; Amon Carter Museum of American Art, Fort Worth, Texas, U.S.A.; oil on composition board; 61 x 76 cm
Charles Demuth
   painted   

I Saw the Figure 5 in Gold; 1928; American; Precisionism; The Metropolitan Museum of Art, New York, New York, U.S.A.; oil on cardboard; 90 x 76 cm
Charles Demuth
   painted   

In the Province (Roofs); 1920-1921; American; Precisionism; Museum of Fine Art, Boston, Massachusetts, U.S.A.; gouache and pencil on paper; 59 x 49 cm
Charles Demuth
   painted   

Sail: In Two Movements; 1919; American; Precisionism; Crystal Bridges Art Museum, Bentonville, Arkansas, U.S.A.; tempera on panel; 41 x 51 cm
Charles Willson Peale
   painted   

Exhuming the First American Mastodon; 1806; American; Rococo; The Peale Museum, Baltimore, Maryland, U.S.A.; oil on canvas; 127 x 159 cm
Charles Willson Peale
   painted   

George Washington in Uniform as Colonel of the First Virginia Regiment; 1772; American; Rococo; Washington and Lee University, Lexington, Virginia, U.S.A.; oil on canvas; size unknown
Charles Willson Peale
   painted   

Joseph Brant; 1797; American; Rococo; Independence National Historical Park, Philadelphia, Pennsylvania, U.S.A.; media unknown; size unknown
Charles Willson Peale
   painted   

Portrait of Timothy Matlack; 1790; American; Rococo; Museum of Fine Arts, Boston, Massachusetts, U.S.A.; oil on canvas; 122 x 102 cm
Childe Hassam
   painted   

April (The Green Gown); 1920; American; Impressionism; Gibbs Museum of Art, Charleston, South Carolina, U.S.A.; oil on canvas; 142 x 209 cm
Childe Hassam
   painted   

August Afternoon, Appledore; 1900; American; Impressionism; private collection; oil on canvas; 56 x 46 cm
Childe Hassam
   painted   

New York Street; 1902; American; Impressionism; The Art Institute of Chicago, Illinois, U.S.A.; oil on canvas; 60 x 50 cm
Childe Hassam
   painted   

Church at Old Lyme; 1905; American; Impressionism; Albright-Knox Art Gallery, Buffalo, New York, U.S.A.; oil on canvas; 93 x 82 cm
Childe Hassam
   painted   

Rainy Day, Boston; 1885; American; Impressionism; The Toledo Museum of Art, Ohio, U.S.A.; oil on canvas; 66 x 122 cm
Childe Hassam
   painted   

The Little Pond, Appledore; 1890; American; Impressionism; the Art Institute of Chicago, Illinois, U.S.A.; oil on canvas; 41 x 56 cm
Childe Hassam
   painted   

The Avenue in the Rain; 1917; American; Impressionism; The White House, Washington D.C., U.S.A.; oil on canvas; 107 x 57 cm
Childe Hassam
   painted   

The South Ledges, Appledore; 1913; American; Impressionism; Smithsonian American Art Museum, Washington D.C., U.S.A.; oil on canvas; 34 x 36 cm
Childe Hassam
   painted   

The Water Garden; 1909; American; Impressionism; The Metropolitan Museum of Art, New York, New York, U.S.A.; oil on canvas; 61 x 91 cm
Cornelius Krieghoff
   painted   

Chippewas on Lake Superior; 1869; Dutch-Canadian; Romanticism; The Art Gallery of Ontario, Toronto, Canada; oil on panel; 41 x 61 cm
Cornelius Krieghoff
   painted   

Montmorency Falls; 1853; Dutch-Canadian; Romanticism; Musée des beaux-arts de Montréal, Canada; oil on canvas; 46 x 64 cm
Cornelius Krieghoff
   painted   

Return from the Hunt; 1871; Dutch-Canadian; Romanticism; The Art Gallery of Ontario, Toronto, Canada; oil on canvas, 57 x 94 cm
Cornelius Krieghoff
   painted   

Kispiax Village in Winter; 1850; Dutch-Canadian; Romanticism; The Art Gallery of Ontario, Toronto, Canada; oil on canvas; 67 x 93 cm
David Milne
   painted   

Maine Monument; 1914; Canadian; Expressionism; The Art Gallery of Ontario, Toronto, Canada; oil on canvas; 51 x 67 cm
David Milne
   painted   

Pink Billboard; 1912; Canadian; Expressionism; The Art Gallery of Ontario, Toronto, Canada; oil on canvas; 51 x 51 cm
Diego Rivera
   painted   

Avila Morning; The Ambles Valley; 1908; Mexican; Expressionism; Museo Naconal de Arte, Mexico City, Mexico; oil on canvas; 97 x 123 cm
Diego Rivera
   painted   

Detroit Industry, South Wall; 1932-1933; Mexican; Muralism; Detroit Institute of Arts, Detroit, Michigan, U.S.A.; fresco; size unknown
Diego Rivera
   painted   

Frozen Assets; 1931; Mexican; Muralism; Museo Dolores Olmedo Patino, Mexico City, Mexico; fresco; 239 x 189 cm
Diego Rivera
   painted   

Nude with Cala Lillies; 1944; Mexican; Expressionism; private collection; oil on canvas; 157 x 144 cm
Diego Rivera
   painted   

The Weaver; 1936; Mexican; Expressionism; The Art Institute of Chicago, Illinois, U.S.A.; tempera and oil on canvas; 66 x 107 cm
Diego Rivera
   painted   

Two Women (Dos Mujeres, portrait of Angelina Beloff and Maria Dolores Bastian); 1914; Mexican; Cubism; The Arkansas Arts Center, Little Rock, Arkansas, U.S.A.; oil on canvas; 198 x 161 cm
Diego Rivera
   painted   

Woman Grinding Maize; 1924; Mexican; Expressionism; Museo Naconal de Arte, Mexico City, Mexico; oil on canvas; 90 x 117 cm
Edward Hopper
   painted   

Cape Cod Evening; 1939; American; Regionalism; National Gallery of Art, Washington, D.C., U.S.A.; oil on canvas; 77 x 102 cm
Edward Hopper
   painted   

The House by the Railroad; 1925; American; Regionalism; Museum of Modern Art, New York, New York, U.S.A.; oil on canvas; 74 x 61 cm
Edward Hopper
   painted   

New York Movie; 1939; American; Regionalism; Museum of Modern Art, New York, New York, U.S.A.; oil on canvas; 82 x 102 cm
Edward Hopper
   painted   

Nighthawks; 1942; American; Regionalism; The Art Institute of Chicago, Illinois, U.S.A.; oil on canvas; 84 x 152 cm
Edward Hopper
   painted   

Seven A.M.; 1948; American; Regionalism; private collection; oil on canvas; 76 x 102 cm
Emily Carr
   painted   

Arbutus Tree; 1922; Expressionism; The National Gallery of Canada, Ottawa; oil on canvas; 46 x 36 cm
Emily Carr
   painted   

Kispiax Village: 1929; Canadian; Expressionism; The Art Gallery of Ontario, Toronto, Canada; oil on canvas; 92 x 129 cm
Emily Carr
   painted   

Trees in the Sky; 1939; Canadian; Expressionism; The Art Gallery of Ontario, Toronto, Canada; oil on canvas; 112 x 69 cm
Emily Carr
   painted   

Tsatsinukomi, B.C.; 1912; Canadian; Expressionism; Vancouver Art Gallery, British Columbia, Canada; watercolour and graphite on paper; 55 x 75 cm
Franklin Carmichael
   painted   

Mirror Lake; 1929; Canadian; Group of Seven; current location unknown; media unknown; size unknown
Franklin Carmichael
   painted   

North Shore, Lake Superior; 1927; Canadian; Group of Seven; The Art Gallery of Ontario, Toronto, Canada; oil on canvas; 123 x 103 cm
Franklin Carmichael
   painted   

October Gold; 1922; Canadian; Group of Seven; The National Gallery of Canada, Ottawa, Canada; oil on canvas; size unknown
Frederic Remington
   painted   

Hauling the Gill Net; 1905; American; Realism; Frederic Remington Art Museum, Ogdensburg, New York, U.S.A.; oil on canvas; size unknown
Frederic Remington
   painted   

His First Lesson; 1903; American; Realism; Amon Carter Museum of American Art, Fort Worth, Texas, U.S.A.; oil on canvas; 69 x 102 cm
Frederic Remington
   painted   

Indians Simulating Buffalo; 1908; American; Realism; Toledo Museum of Art, Ohio, U.S.A.; oil on canvas; 68 x 102 cm
Frederic Remington
   painted   

Radisson and Groseilliers; 1905; American; Realism; Buffalo Bill Center of the West, Cody, Wyoming, U.S.A.; oil on canvas; 43 x 76 cm
Frederic Remington
   painted   

Shotgun Hospitality; 1908; American; Realism; Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, U.S.A.; oil on canvas; 69 x 102 cm
Frederic Remington
   painted   

The Blanket Signal; 1894-1898; American; Realism; Museum of Fine Art, Houston, Texas, U.S.A.; oil on canvas; 69 x 56 cm
Frederic Remington
   painted   

The Mexican Major; 1889; American; Realism; oil on canvas; 87 x 125 cm
Frederic Remington
   painted   

The Cowboy; 1902; American; Realism; Amon Carter Museum of American Art, Fort Worth, Texas, U.S.A.; oil on canvas; 102 x 69 cm
Frederic Remington
   painted   

The Trooper; 1891-1892; American; Realism; private collection; oil on canvas; 124 x 86 cm
Frida Kahlo
   painted   

Self-Portrait as a Tehuana or Diego on My Mind; 1943; Mexican; Expressionism; private collection; oil on masonite; 76 x 61 cm
Frida Kahlo
   painted   

Self-Portrait with Thorn Necklace and Hummingbird; 1940; Mexican; Expressionism; Harry Ransom Center, University of Texas at Austin, U.S.A.; oil on canvas; 64 x 50 cm
Frida Kahlo
   painted   

The Suicide of Dorothy Hale; 1939; Mexican; Surrealism; The Phoenix Art Museum, Arizona; U.S.A.; oil on masonite; 60 x 49 cm
George Bellows
   painted   

Matinicus; 1916; American; Ashcan School / American Realism; Whitney Museum of American Art, New York, New York, U.S.A.; oil on canvas; 81 x 102 cm
George Bellows
   painted   

Men of the Docks; 1912; American; Ashcan School / American Realism; The National Gallery, London, England; oil on canvas; 114 x 161 cm
George Bellows
   painted   

Stag at Sharkey's; 1907; American; Ashcan School / American Realism; Cleveland Museum of Art, Ohio, U.S.A.; oil on canvas; 110 x 141 cm
George Bellows
   painted   

The Cliff Dwellers; 1913; American; Ashcan School / American Realism; Los Angeles County Museum of Art, California, U.S.A.; oil on canvas; 103 x 107 cm
George Catlin
   painted   

Indians Encamping at Sunset, Upper Missouri; 1832; American; Realism; Smithsonian American Art Museum, Washington D.C., U.S.A.; oil on canvas; 28 x 36 cm
George Catlin
   painted   

Osceola, Head Chief, Seminole; 1838; American; Realism; Smithsonian American Art Museum, Washington D.C., U.S.A.; oil on canvas; size unknown
George Catlin
   painted   

The White Cloud, Head Chief of the Iowas; 1844-1845; American; Realism; National Gallery of Art, Washington D.C., U.S.A.; oil on canvas; 71 x 58 cm
George Catlin
   painted   

The Cutting Scene, Mandan O-kee-pa Ceremony; 1832; American; Realism; Denver Art Museum, Colorado, U.S.A.; oil on canvas; 58 x 70 cm
George Innes
   painted   

A Marine; 1874-1875; American; Tonalism; The Art Institute of Chicago, Illinois, U.S.A.; oil on canvas; 77 x 115 cm
George Innes
   painted   

In the Berkshires; 1848-1850; American; Tonalism; Thyssen-Bornemisza Museum, Madrid, Spain; oil on canvas; 61 x 56 cm
George Innes
   painted   

Niagara; 1889; American; Tonalism; Smithsonian American Art Museum, Washington D.C., U.S.A.; oil on canvas; 76 x 114 cm
George Innes
   painted   

Sunrise; 1887; American; Tonalism; The Metropolitan Museum of Art, New York, New York, U.S.A.; oil on canvas; 76 x115 cm
George Innes
   painted   

The Lackawana Valley; 1855; American; Tonalism; National Gallery of Art, Washington, D.C., U.S.A.; oil on canvas; 86 x 127 cm
George Innes
   painted   

The Storm; 1885; American; Tonalism; Reynolda House Museum of American Art, Winston-Salem, North Carolina, U.S.A.; oil on canvas; 51 x 76 cm
Georgia O'Keeffe
   painted   

Black Cross, New Mexico; 1929; American; Expressionism; The Art Institute of Chicago, Illinois, U.S.A.; oil on canvas; 99 x 76 cm
Georgia O'Keeffe
   painted   

Black Mesa Landscape, New Mexico; Out Back of Marie's II; 1930; Expressionism; Georgia O'Keeffe Museum, Santa Fe, New Mexico, U.S.A.; oil on canvas mounted to board; 62 x 92 cm
Georgia O'Keeffe
   painted   

Black Iris; 1926; American; Expressionism; The Metropolitan Museum of Art, New York, New York, U.S.A.; oil on canvas; 91 x 76 cm
Georgia O'Keeffe
   painted   

Blue and Green Music; 1921; American; Expressionism; The Art Institute of Chicago, Illinois, U.S.A.; oil on canvas; 58 x 48 cm
Georgia O'Keeffe
   painted   

Cow's Skull: Red, White and Blue; 1931-1936; American; Expressionism; The Metropolitan Museum of Art, New York, New York, U.S.A.; oil on canvas; 101 x 91 cm
Georgia O'Keeffe
   painted   

Light of Iris; 1924; American; Expressionism; private collection; oil on canvas; size unknown
Georgia O'Keeffe
   painted   

Manhattan; 1932; American; Precisionism; Smithsonian American Art Museum, Washington D.C., U.S.A.; oil on canvas; 214 x 122 cm
Georgia O'Keeffe
   painted   

Ram's Head, Blue Morning Glory; 1938; American; Expressionism; Georgia O'Keeffe Museum, Santa Fe, New Mexico, U.S.A.; oil on canvas; 51 x 76 cm
Georgia O'Keeffe
   painted   

Red and Yellow Cliffs; 1940; American; Expressionism; The Metropolitan Museum of Art, New York, New York, U.S.A.; oil on canvas; 61 x 91 cm
Georgia O'Keeffe
   painted   

Red Canna; 1924; American; Expressionism; Georgia O'Keeffe Museum, Santa Fe, New Mexico, U.S.A.; oil on canvas; size unknown
Georgia O'Keeffe
   painted   

Red Hills with Flowers; 1937; American; Expressionism; The Art Institute of Chicago, Illinois, U.S.A.; oil on canvas; 51 x 64 cm
Grant Wood
   painted   

American Gothic; 1930; American; Regionalism; The Art Institute of Chicago, Illinois, U.S.A.; oil on beaver board; 78 x 65 cm
Grant Wood
   painted   

Fall Plowing; 1931; American; Regionalism; private collection; oil on canvas; size unknown
Grant Wood
   painted   

The Appraisal; 1931; American; Regionalism; Dubuque Museum of Art, Iowa, U.S.A.; oil on composition board; size unknown
Jamie Wyeth
   painted   

Iris at Sea; 1994; American; Regionalism; current location unknown; media unknown; size unknown
Jamie Wyeth
   painted   

Kleberg; 1984; American; Regionalism; Denver Art Museum, Colorado, U.S.A.; oil on canvas; 78 x 108 cm
Jamie Wyeth
   painted   

John F. Kennedy; 1967; American; Regionalism; Museum of Fine Arts, Boston, Massachusetts, U.S.A.; oil on canvas; 58 x 93 cm
Jamie Wyeth
   painted   

Lester; 1963; American; Regionalism; current location unknown; media unknown; size unknown
Jamie Wyeth
   painted   

Portrait of Andrew Wyeth; 1968; American; Regionalism; private collection; oil on canvas; 81 x 61 cm
Jamie Wyeth
   painted   

Wolf Dog; 1976; American; Regionalism; private collection; oil on canvas; size unknown
Jamie Wyeth
   painted   

Monhegan Bell; 1978; American; Regionalism; current location unknown; media unknown; size unknown
J.E.H. MacDonald
   painted   

Falls, Montreal River; 1920; Canadian; Art Nouveau (Modern); The Art Gallery of Ontario, Toronto, Canada; oil on canvas; 153 x 122 cm
J.E.H. MacDonald
   painted   

Lake McArthur, Yoho Park; 1924; Canadian; The National Gallery of Canada, Ottawa; oil on cardboard; 21 x 27 cm
J.E.H. MacDonald
   painted   

Mist Fantasy, Sand River, Algoma; 1922; Canadian; Art Nouveau (Modern); The National Gallery of Canada, Ottawa; oil on cardboard; 21 x 27 cm
John James Audubon
   painted   

Peregrine Falcons (Duck Hawks); 1827; French-American; Realism/Naturalism; The Cleveland Museum of Art, Ohio, U.S.A.; oil on canvas; 65 x 92 cm
John James Audubon
   painted   

Townsend's Bridled Weasels; 1842; French-American; Realims/Naturalism; Lakeview Museum of Arts and Sciences, Peoria, Illinois, U.S.A.; oil on canvas; 46 x 64 cm
John James Audubon
   painted   

Washington Sea Eagle; 1836-1839; French-American; Realism/Naturalism; Smithsonian American Art Museum, Washington, D.C., U.S.A.; oil on canvas; 117 x 85 cm
John James Audubon
   painted   

Wild Turkey; 1845; French-American; Realism/Naturalism; Gilcrease Museum, Tulsa, Oklahoma, U.S.A.; oil on canvas; 114 x 84 cm
John Rogers Cox
   painted   

Gray and Gold; 1942; American; Regionalism; The Cleveland Museum of Art, Ohio, U.S.A.; oil on canvas; 92 x 152 cm
Lawren Harris
   painted   

Baffin Island; 1931; Canadian; Art Nouveau (Modern); The Art Gallery of Ontario, Toronto, Canada; oil on canvas
Lawren Harris
   painted   

Houses, Richmond Street; 1911; Canadian; Art Nouveau (Modern); The Art Gallery of Ontario, Toronto, Canada; oil on canvas; 61 x 66 cm
Lawren Harris
   painted   

Lake Superior III; 1923-1924; Canadian; Art Nouveau (Modern); oil on canvas; 102 x 128 cm
Lawren Harris
   painted   

Winter Afternoon, City Street, Toronto (Sunday Morning); 1918; Canadian; Art Nouveau (Modern); oil on canvas; 102 x 114 cm
N. C. Wyeth
   painted   

Andy with Fire Engine; 1922; American; Regionalism; private collection; oil on canvas; 87 x 77 cm; rarely seen family portrait of Andrew Wyeth when young
N. C. Wyeth
   painted   

Cutting Out (Colorado); 1904; American; Romanticism; Buffalo Bill Center of the West, Cody, Wyoming, U.S.A.; oil on canvas; 96 x 66 cm
N. C. Wyeth
   painted   

Endpaper Illustration from Treasure Island; 1911; American; Romanticism; Brandywine River Museum, Chadds Ford, Pennsylvania, U.S.A.; oil on canvas; 83 x 120 cm
N. C. Wyeth
   painted   

Francisco Vasquez de Coronado; American; Romanticism; University Museums, Iowa State University, Ames, Iowa, U.S.A.; oil on hardboard; 67 x 62 cm
N. C. Wyeth
   painted   

Robin Meets Maid Marian (from Robin Hood); 1917; American; Romanticism; The New York Public Library, New York, U.S.A.; oil on canvas; 102 x 82 cm
N. C. Wyeth
   painted   

The Burial; 1906; American; Romanticism; Gilcrease Museum, Tulsa, Oklahoma, U.S.A.; oil on canvas; 61 x 96 cm
N. C. Wyeth
   painted   

They Fought with Him on Foot More Than Three Hours both Before Him and After Him (from The Boy's King Arthur); 1917; American; Romanticism; private collection; oil on canvas; 102 x 81 cm
Norman Rockwell
   painted   

Cowboy with Gramaphone (Dreams of Long Ago); 1927; American; Regionalism; private collection; oil on canvas; 94 x 81 cm; used on the cover of the Staturday Evening Post on August 13, 1927
Norman Rockwell
   painted   

Freedom from Want; 1943; American; Regionalism; Norman Rockwell Museum, Stockbridge, Massachusetts, U.S.A.; oil on canvas; 116 x 90 cm; used on the cover of the Staturday Evening Post on March 6, 1943
Norman Rockwell
   painted   

Freedom of Speech; 1943; American; Regionalism; Norman Rockwell Museum, Stockbridge, Massachusetts, U.S.A.; oil on canvas; 116 x 90 cm; used on the cover of the Staturday Evening Post on February 20, 1943
Norman Rockwell
   painted   

Portrait of Nehru; 1963; American; Regionalism; Social Realism; private collection; oil on posterboard; 44 x 51 cm; used on the cover of the Staturday Evening Post on January 19, 1963
Norman Rockwell
   painted   

Self Portrait; 1960; American; Regionalism; Norman Rockwell Museum, Stockbridge, Massachusetts, U.S.A.; oil and graphite on paper board; 112 x 88 cm; used for cover of The Saturday Evening Post on February 13, 1960
Norman Rockwell
   painted   

The Connoiseur; 1962; American; Regionalism; private collection; oil on canvas; 96 x 80 cm; used on the cover of the Staturday Evening Post on January 13, 1962
Norman Rockwell
   painted   

The Day I Painted Ike; 1952; American; Regionalism, Social Realism; private collection; oil on canvas; 28 x 20 cm; used on the cover of the Staturday Evening Post on October 11, 1952
Norman Rockwell
   painted   

The Final Impossibility: Man's Track on the Moon (Two Men on the Moon); 1969; American; Regionalism; National Air and Space Museum, Smithsonian, Washington D.C., U.S.A.; oil on canvas; 42 x 62 cm; used on the cover of Look Magazine on December 30, 1969
Norman Rockwell
   painted   

The Lineman; 1948; American; Regionalism; Norman Rockwell Museum, Stockbridge, Massachusetts, U.S.A.; oil on canvas; 145 x 107 cm; Used as AT&T advertisement
Thomas Eakins
   painted   

Cowboy Singing; 1892; American; Realism; The Metropolitan Museum of Art, New York, New York, U.S.A.; watercolor and graphite on paper; size unknown
Thomas Eakins
   painted   

Maud Cook; 1895; American; Realism; Yale University Art Gallery; oil on canvas; 61 x 51 cm
Thomas Eakins
   painted   

Miss Amelia Van Buren; 1891; American; Realism; The Phillips Collection; Washington D.C., U.S.A.; oil on canvas; 114 x 81 cm
Thomas Eakins
   painted   

Starting Out after Rail; 1874; American; Realism; Museum of Fine Arts, Boston, Massachusetts, U.S.A.; oil on canvas; 61 x 51 cm
Thomas Eakins
   painted   

The Biglin Brothers Racing; 1873; American; Realism; The National Gallery of Art, Washington, D.C., U.S.A.; oil on canvas; 61 x 92 cm
Thomas Eakins
   painted   

The Gross Clinic; 1875; American; Realism; Philadelphia Museum of Art, U.S.A.; oil on canvas; 244 x 198 cm
Thomas Hart Benton
   painted   

Achelous and Hercules; 1947; American; Muralism; Smithsonian American Art Museum, Washington D.C., U.S.A.; tempera and oil on canvas mounted on plywood; 63 x 264 cm
Thomas Hart Benton
   painted   

Cotton Pickers; 1928-192; American; Regionalism; The Metropolitan Museum of Art, New York, New York, U.S.A.; tempera on canvas; 76 x 91 cm
Thomas Hart Benton
   painted   

Cut the Line; 1944; Regionalism; Naval Historical Center, Washington Navy Yard, Washington D.C., U.S.A.; oil on board; size unknown
Thomas Hart Benton
   painted   

Poker Night (from ""A Streetcar Named Desire""); 1948; American; Regionalism; Whitney Museum of American Art, New York, New York, U.S.A.; tempera and oil on linen mounted on composition board; 91 x 122 cm
Thomas Hart Benton
   painted   

The Ballad of the Jealous Lover of Lone Green Valley; 1934; American; Regionalism; Spencer Museum of Art, The University of Kansas, Lawrence, Kansas, U.S.A.; oil, tempera on canvas mounted on aluminum panel; 105 x 133 cm
Thomas Hart Benton
   painted   

The Lord is My Shepherd; 1926; American; Regionalism; Whitney Museum of American Art, New York, New York, U.S.A.; tempera on canvas; 84 x 70 cm
Tom Thomson
   painted   

Autumn's Garland; 1915-1916; Canadian; Art Nouveau (Modern); The National Gallery of Canada, Ottawa; oil on canvas; 123 x 132 cm
Tom Thomson
   painted   

In the Northland; 1915; Canadian; Art Nouveau (Modern); Musée des Beaux-Arts de Montréal, Quebec, Canada; oil on canvas; 102 x 115 cm
Tom Thomson
   painted   

The Drive; 1916-1917; Canadian; Art Nourveau (Modern); Macdonald Stewart Art Center, Guelph, Ontario, Canada; oil on canvas; 120 x 138 cm
Tom Thomson
   painted   

The West Wind; 1917; Canadian; Art Nouveau (Modern); The Art Gallery of Ontario, Toronto, Canada; oil on canvas; 121 x 137 cm


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