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Thomas Hart Benton


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Thomas Hart Benton
   painted   
July Hay
1943, oil and egg tempera on composition board; The Metropolitan Museum of Art, New York
Thomas Hart Benton
   is buried in   
Bellefontaine Cemetery, St Louis, MO, USA
US Senator
Thomas Hart Benton
   painted   

Achelous and Hercules; 1947; American; Muralism; Smithsonian American Art Museum, Washington D.C., U.S.A.; tempera and oil on canvas mounted on plywood; 63 x 264 cm
Thomas Hart Benton
   painted   

Cotton Pickers; 1928-192; American; Regionalism; The Metropolitan Museum of Art, New York, New York, U.S.A.; tempera on canvas; 76 x 91 cm
Thomas Hart Benton
   painted   

Cut the Line; 1944; Regionalism; Naval Historical Center, Washington Navy Yard, Washington D.C., U.S.A.; oil on board; size unknown
Thomas Hart Benton
   painted   

Poker Night (from ""A Streetcar Named Desire""); 1948; American; Regionalism; Whitney Museum of American Art, New York, New York, U.S.A.; tempera and oil on linen mounted on composition board; 91 x 122 cm
Thomas Hart Benton
   painted   

The Ballad of the Jealous Lover of Lone Green Valley; 1934; American; Regionalism; Spencer Museum of Art, The University of Kansas, Lawrence, Kansas, U.S.A.; oil, tempera on canvas mounted on aluminum panel; 105 x 133 cm
Thomas Hart Benton
   painted   

The Lord is My Shepherd; 1926; American; Regionalism; Whitney Museum of American Art, New York, New York, U.S.A.; tempera on canvas; 84 x 70 cm
Thomas Hart Benton
   represents   
Regionalism
American Painter
Thomas Hart Benton
   represents   
Muralism
American Painter






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