J. M. W. Turner
1775-1851; Tate Gallery, London 1856; English; Tate Museum, Londong; one of the great masterpieces of the Romantic Period Watercolor, Cambridge: Fitzwilliam Museum C.1840; London, National Gallery 1839, late work of Romantic artist -- National Gallery An English Romantic landscape painter, watercolourist and printmaker, whose style can be said to have laid the foundation for Impressionism. Oil on canvas, 1842; Tate Gallery, London 1806-08; oil on canvas; Tate Britain, London Oil on canvas, exhibited 1812; Tate Gallery, London Oil on canvas, exhibited 1818; Tate Britain, London Oil on canvas, exhibited 1819; Tate Britain Oil on wood, exhibited 1837; Tate Britain, London Oil on canvas, exhibited 1805; Tate Britain Oil on canvas, exhibited 1831; Tate Britain  Bell Rock Lighthouse; 1819; English; Romanticism; National Galleries of Scotland, Edinburgh; watercolor and gouache with scratching out on paper; 455 x 306 cm  Bonneville, Savoy; 1833; English; Romanticism; Dallas Museum of Art, Texas. U.S.A.; oil on canvas; 92 x 123 cm  Dutch Boats in a Gale; 1801; English; Romanticism; The National Gallery, London, England; oil on canvas; 163 x 221 cm  Fishing Boats with Hucksters Bargaining for Fish; 1837-1838; English; Romanticism; Art Institute of Chicago, Illinois, U.S.A.; oil on canvas; 174 x 225 cm  Keelman Heaving in Coals by Midnight; 1835; English; Romanticism; National Gallery of Art, Washington, D.C., U.S.A.; oil on canvas; 92 x 123 cm  Llanthony Abbey, Monmouthshire; 1792; English; Romanticism; Indianapolis Museum of Art, Indiana, U.S.A.; watercolor on white paper; 21 x 27 cm  Mer de Glace, in the Valley of Chamouni, Switzerland; 1803; English; Romanticism; Yale Center for British Art, New Haven, Connecticut, U.S.A.; watercolor; 104 x 70 cm  Self-portrait; 1799; English; Romanticism; Tate Britain, London, England; oil on canvas; 74 x 58 cm  Mount Vesuvius in Eruption; 1817-1820; English; Romanticism; Yale Center for British Art, New Haven, Connecticut, U.S.A.; watercolor; 40 x 29 cm  The Fighting Temeraire Tugged to Her Last Berth to be Broken Up; 1839; English; Romanticism; The National Gallery, London, England; oil on canvas; 91 x 122 cm  The Burning of the Houses of Lords and Commons, 16 October 1834; 1835; English; Romanticism; The Cleveland Museum of Art, Ohio, U.S.A.; oil on canvas; 92 x 123 cm
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